Christ, they definitely can get expensive! The capacitors are only a few bucks each, but the inductors can get way up there in price! Check out www.madisound.com, I have used them for all my passive crossover builds in the past, and they have great products and service. The bottom line is, the steeper you make the crossover slope, the more expensive it gets, because each time you steepen the crossover slope by 6dB/octave more, you add on another capacitor and another inductor.
Wow that site is crazy...... Would I need an inductor or a capacitor? That site is way to informative for my naive knowledge. I was looking at crossovers on the net and they go from 30 to 500 dollars. For a passive crossover all I need is a capcitor? Last edited by Civic96 at Oct 21 2002, 02:48 AM
seems to me civic that you dont know much about car audio for a moderator. wanna hand the position down to me? lol. im just kidding.......... jeff
That is pretty much all you are capable of moderating. Lord knows you can't accept any other type of moderation because of your lack of knowledge.
Why do you post those news bits on CAF? Like the Kmart Logo, and all the current events on CAF? Why don't you post them here, at YOUR forum? I will continue to do my best at flaming this board in general.
Why do you post those news bits on CAF? Like the Kmart Logo, and all the current events on CAF? Why don't you post them here, at YOUR forum? I will continue to do my best at flaming this board in general.[/b][/quote] you know I can stop that at any time and FYI bud I have a NEWS section smart guy your going to get me on a bad day and I am going to eliminte your problems I dont know why you dispise this board, and frankly I dont care if you dont like it, leave , you will not be missed I assure you from the time I have been posting on CAF and here I very soldomly see you post anything useful it is all sarcaism, or flaming, yet you bitch when people flame you :unsure: Again, if you have a problem with this board or me, LEAVE, I am sure none of my members will miss you, and I know I will not Have a nice day
you know I can stop that at any time and FYI bud I have a NEWS section smart guy your going to get me on a bad day and I am going to eliminte your problems I dont know why you dispise this board, and frankly I dont care if you dont like it, leave , you will not be missed I assure you from the time I have been posting on CAF and here I very soldomly see you post anything useful it is all sarcaism, or flaming, yet you bitch when people flame you :unsure: Again, if you have a problem with this board or me, LEAVE, I am sure none of my members will miss you, and I know I will not Have a nice day[/b][/quote] I want you to stop posting from now on. If you think all I post at CAF is pish posh, do a search. Clearly you are mistaken my young friend. I will try my best to flame as many people on this board as I can. Thanks, have a good day.
Pointsource I told your dad not to beat your mom but he just wouldnt listen......so dont take your anger out on us......... thanks
I think I will go with the JBL and get an electronic crossover. A few questions: 1. I see there are 2/3/6 way crossover can you explain this to me. 2. How high of an octave slope do I need? I have seen some ranging from -12db to - 24. What will be good for me? Im slowly learning so you guys should be proud
I want you to stop posting from now on. If you think all I post at CAF is pish posh, do a search. Clearly you are mistaken my young friend. I will try my best to flame as many people on this board as I can. Thanks, have a good day.[/b][/quote] What is wrong with you? Is something wrong in your life and you decide to vent on the internet forums?
Crossovers, the steeper the slope the better. What does the slope mean? What do the terms mean? A low pass crossover allows the lows to pass... ie. it blocks the high frequencies. Vice versa for a high pass crossover. Let's look at a low-pass crossover. Say, a subwoofer crossover, set to 80Hz. And first, realize that because the frequency scale is a logarythmic one, every time that you double the frequency, you traverse exactly one musical octave. ie. 20-40Hz is one octave... 40-80Hz is another one... 10,000-20,000Hz is another one. Example: An 80Hz low pass crossover... pretend you are playing through it at 120dB: If it had a cutoff rate of 12dB/octave, that would mean that at 160Hz, it would still be 108dB... (that's one octave higher than 80Hz) At 320Hz it would still be 96dB loud... (one octave again..) At 640Hz it would still be 84dB loud... etc.. etc... etc.. Now, compare that to if that same crossover were 24dB/octave: 160Hz would be 96dB loud... 320Hz would be 72dB loud... 640Hz would be 48dB loud... etc.. etc. etc.. Better, Civic?
I should stick to videogames. I do understand what you are saying just not the math.....Im going to look again B)
Think about what a low-pass crossover is supposed to do... Allow all the bass to get to your subwoofer, and block off the higher frequencies so that they DON'T get to the subwoofer, right? so, ideally it would be a wall, just a pure cutoff.. An 80Hz low pass crossover would allow anything below 80Hz to get to the sub, and nothing over it. But that's impossible... In reality, it is just attenuated at some rate above 80hz (or whatever frequency you set it at, you know), so that at least, if they aren't totally cut off above 80Hz, they are at least attenuated. And like i said, every time you double your frequency (ie. 80 to 160Hz, 160 to 320Hz, 320 to 640Hz, 640 to 1280Hz etc..), you are going up one octave. This is important, because the attenuation of a crossover is defined in terms of the slope that it can attenuate at... 6dB/octave, 12dB/octave, 18dB/octave, 24dB/octave, etc.. The steeper the slope, the closer to that perfect "cutoff" that would be ideal. The example I quoted above is simply a comparison of what the levels of sound would be that the subwoofer would be producing (or rather, the level of the signal that was able to get to the subwoofer! ), comparing a 12dB/octave Xover (the first one) to a 24dB/octave Xover (the second one). This is also relevant as far as your question was concerned, as to the expense involved in building your own passive crossovers, and my point as to their expense... a 6dB/octave low-pass crossover is just a single coil (and a 6dB/octave high pass is a single capacitor)... a 12dB/octave low pass crossover is a single coil AND a single capacitor, with the capacitor wired in parallel... an 18dB/octave low pass crossover requires two coils, with the single capacitor wired in parallel... a 24dB/octave low pass crossover requires two coils and two capacitors... And that's just for one channel! Repeat for each speaker that will need a crossover..